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Posts Tagged ‘Lullabies’

When Bollywood directors decide to etch out the character of either a mother or a soul mate in finer detail, lullabies come in handy.

It is widely believed that lullabies, when sung with minimal words and unaccompanied by any kind of music, have more of a soothing effect on a baby. However, given the penchant of the Indian audience to lap up lyrics only when dished out along with some lilting music, our directors make some compromises and come up with songs which not only boast of some soulful lyrics but are also accompanied by a wide range of musical instruments playing softly in the background.

The result is that many of these tend to soothe the frayed nerves of not only a baby but even some adults who appear to be passing through a challenging phase in their lives. In other words, the lullabies on our silver screens not only put babies to sleep but also get deployed as a clever device to provide succour to anguished souls in other age brackets.

Let us recapitulate some of the outstanding lullabies dished out by Bollywood over the past few decades.

For kids in all kinds of circumstances

A key feature of parenthood is the desire to protect one’s child from the harsh slings and arrows of Life. A lullaby could get sung in a protective environment. It could also get rendered when either a mother or a caretaker is seriously concerned about the future of the child.

 

Do Bigha Zamin

(1953, Music: Salil Chowdhury, Lyrics: Shailendra)

 

Vachan

(1955, Ravi, Prem Dhawan)

 

Do Ankhen Baarah Haath

(1957, Vasant Desai, Bharat Vyas)

 

Pardesi

(1957, Anil Biswas, Prem Dhawan or Ali Sardar Jafri)

 

Sujata

(1959, S D Burman, Majrooh Sultanpuri)

 

Mujhe Jeene Do

(1963, Jaidev, Sahir Ludhianvi)

 

Brahmchari

(1968, Shankar Jaikishan, Shailendra)

 

Koshish

(1972, Madan Mohan, Gulzar)

 

Mukti

(1977, R D Burman, Anand Bakshi)

 

Masoom

(1983, R D Burman, Gulzar)

 

Zubeidaa

(2001, A R Rahman, Javed Akhtar)

 

Swades

(2004, A R Rahman, Javed Akhtar)

 

Providing solace to adults

When a weary soul is on the lookout for some solace, help comes from a loving and devoted companion, who could either be a soul mate or an empathetic person who believes that it is his duty to comfort the other. The music is so soothing as to put the weary person to sleep, thereby helping him or her to cope with distress.

Zindagi

(1940, Pankaj Mullick, Kedar Nath Sharma)

 

Albela

(1952, C Ramchandra, Rajinder Krishan)

 

Shabaab

(1954, Naushad, Shakeel Badayuni)

 

Hum Dono

(1961, Jaidev, Sahir Ludhianvi)

 

Khandaan

(1965, Ravi, Rajendra Krishan)

 

Sadma

(1983, Iliyaraja, Gulzar)

 

The deep yearning to bear a child

Some of you might agree with me that a soothing song which poignantly captures the deep yearning of a woman to bear a child could also be labelled as a lullaby. Even though it expresses tender thoughts for a child who might still be on the horizon, the feelings portray the same love and affection as the ones articulated in a lullaby.

Filhaal

(2002, Anu Malik, Gulzar)

 

Most of these songs have a different context. But the underlying sentiment of empathy, compassion and love remains the same. The fertile imagination of a director, coupled with the creativity of a music director, ensures a wide spectrum of the genre of lullabies in Bollywood, ranging from yet-to-be-born children to those who are much past the phase of childhood.

Diminishing returns from lullabies?

This post is surely not an exhaustive one. But while compiling the songs, yours truly was struck by the relative absence of lullabies in the movies released in recent decades. For the 1950s, I could come up with 7 of the songs listed above, whereas for the 2010s I could barely trace 3 songs in  this genre!

Perhaps, our producers and directors no longer appear to believe that the presence of soothing lullabies in their offerings to the gullible audience makes the box office ring any louder. It is not that scripts centered on kids do not find favour with them. In fact, the converse could be true. Think of Tare Zameen Par, Nil Battey Sannata, The Blue Umbrella, I Am Kalam, Stanley Ka Dabba and many others which have been eagerly lapped up by the audience in the recent past. But the character of children has undergone a change. No longer are they to be pampered with lullabies. Instead, they are showcased as being smarter kids, somewhat grown up and awash with dazzling inputs from the digital world that surrounds them. They no longer appear to be vulnerable, needing the emotional support of a lullaby to get to sleep.

Perhaps this has to do with the setting of most scripts having become an urban one. With the rise of the nuclear family and the ready availability of technological gizmos, the space for lullabies appears to be shrinking. Choices for hapless parents who are caught in the vicious circle of materialistic pursuits of life have narrowed down. In children’s formative years, perhaps a soothing touch is getting gradually replaced with cold metallic screens streaming inane cartoons and animation movies which are replete with violent sequences. With each passing decade, the threshold of innocence appears to be getting lowered, thereby reducing the utility of a soulful lullaby to add to the box office collections.

But parents and soul mates need not lose heart. Bollywood’s repertoire of lullabies of the past is a rich one. Many of the songs alluded to above could still be of immense utility when it comes to putting their wards to a restful slumber.

Also, there is the hope that the future may somehow see a revival of this unique genre of Bollywood music. However, given the creative imagination of our script writers and lyricists, one would not be surprised to find a humanoid being shown to be crooning a lullaby wherein the moon has got replaced by inter-galactic travel, the stars have given way to the twinkling city lights and a cool breeze has got substituted by gentle air conditioning!

(Related Post: https://ashokbhatia.wordpress.com/2016/11/20/bringing-up-kids)

 

 

 

 

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