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Cupid has a free run in Plumsville. He is present everywhere. He influences and enables incidents which go beyond the normal call of his duty, not restricting himself merely to generating and sustaining magnetic currents flowing between two individuals.

The large circle of influence of Cupid

When he wants someone goofy like Thos to acquire a saintly disposition, he strikes at him, leaving him besotted with Greta Garbo, thereby making him rise in love. When he decides to champion the cause of vegetarians, he uses Madeline Bassett as a front and forces Gussie Fink-Nottle to lay off all the vitamins of animal origin, making him skip Anatole’s lavish spreads and survive only on spinach, sprouts, broccoli and similar stuff. When he wishes to campaign for safety of sharks, he deploys Angela to do his bidding.

Those who serve in the constabulary, however tough their exteriors and however pure their intentions…

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Cupid has a free run in Plumsville. He is present everywhere. He influences and enables incidents which go beyond the normal call of his duty, not restricting himself merely to generating and sustaining magnetic currents flowing between two individuals.

The large circle of influence of Cupid

When he wants someone goofy like Thos to acquire a saintly disposition, he strikes at him, leaving him besotted with Greta Garbo, thereby making him rise in love. When he decides to champion the cause of vegetarians, he uses Madeline Bassett as a front and forces Gussie Fink-Nottle to lay off all the vitamins of animal origin, making him skip Anatole’s lavish spreads and survive only on spinach, sprouts, broccoli and similar stuff. When he wishes to campaign for safety of sharks, he deploys Angela to do his bidding.

Those who serve in the constabulary, however tough their exteriors and however pure their intentions to bring the culprits to book, also fall under his spell. When one of them has to be taught a lesson in humility, Stiffy Byng becomes an instrument in his hands, persuading even a vicar to pinch a policeman’s helmet. When the intellectual level of those who belong to the so-called sterner sex has to be raised, Cupid uses such characters as Florence Craye and Vanessa Cook to give the project a good shot. When he decides to downgrade obesity, he finds an ally in Maud, who scratches her fixture with Geoffrey Raymond to bring home the point.

When casinos at Monte Carlo need some promotion, Cupid makes two perfect strangers meet. If George Albert Balmer is an insurance clerk, the party of the other part is a companion of Lady Julia. Within a day of their having met, George proposes and finds that he is getting accepted. It is only then that he gets asked by his lady-love as to what his name happens to be! (The Tuppenny Millionaire, The Man Upstairs and other stories)

Bingo Little and the Evolution of Romantic Maturity

But the character Cupid is particularly fond of in Plumsville is Bingo Little. It appears that there are repeated attempts on Cupid’s part to enable his favourite person to ‘settle down’ in life. Objects of Bingo’s affection have included a waitress named Mabel; Honoria Glossop, the formidable daughter of Pop Glossop; Daphne Braythwayt, a friend of Honoria; Charlotte Corday Rowbotham, a revolutionary; Lady Cynthia Wickhammersley, a family friend of Bertie’s; and Mary Burgess, niece of the Rev. Francis Heppenstall. After each failed affair, Bingo does not necessarily sulk. Cupid rushes to his aid. The scales fall from his eyes, and he suddenly realizes that the next girl alone is his true soul mate.

After many failed affairs, Bingo ends up marrying the romance novelist Rosie M. Banks, an author whose outlook on life happens to match well with that of his. Cupid does not desert him even in his post-nuptials phase, setting the bar rather high for all the men who attach a premium on matrimonial bliss.

We now find a Bingo Little who is completely transformed. He is singularly devoted to his wife. Maintaining matrimonial peace and harmony is the sole purpose of his life. When it comes to keeping his lady-love happy and contented, there is little that he leaves to chance.

Charles Darwin, had he come across this unique case, might have gifted humanity with a treatise on The Evolution of Romantic Maturity instead.

Taking care of those young at heart

When it comes to Cupid’s machinations, age, caste, creed, profession and social status do not really matter. He does not discriminate between the younger lot and those who might be advanced in age but are young at heart. Other than the topsy-turvy romances of younger couples, he also does justice to those who are advanced in age and young at heart. An affection which was discernible in a couple’s younger days – whether declared or otherwise – survives the harsh slings and arrows of life. A chance meeting unearths and rekindles the deep buried embers of love. A well seasoned romance bears fruit. The Valentine Spirit prevails. Love may remain dormant for a long time, but can get revived in a jiffy – much like a Psyche getting revived by a Cupid’s kiss!

The case of Joe and Julia springs to one’s mind. So does the case of Piggy and Maudie. Not to forget the case of Mrs Spottsworth and Captain Biggar-Biggar. Even someone of the stature of Sir Roderick Glossop, the eminent nerve specialist, is not spared. Having fathered such exquisite specimens as Honoria and Oswald Glossop in the past, and having been a widower for two years, he decides to get hitched to Myrtle, Lady Chuffnell, later in his life.

 

The limitations of Cupid

But the freedom to strike at will does not come without its attendant responsibilities. Cupid has some serious obligations to meet in Plumsville. The strict code of chivalry in vogue therein does not permit physical intimacy. It looks askance at someone bandying about the name of a female. It does permit a sideways scrutiny of a lissome profile but scoffs at any attempts to outrage the modesty of a member of the tribe of the delicately nurtured. In Plumsville, romance blossoms. Love is in the air. Devotion is permitted. But physical intimacy is a taboo. Aphrodite has limited access to the goings on in Plumsville. Eroticism is denied entry. An occasional occurrence which could amount to mild titillation alone is allowed.

Consider some such instances where Cupid’s advances have met with a resounding buff in Plumsville.

When Bertie Wooster stands up to Gussie’s Amorous Plans

The Mating Season touches upon Gussie’s notebook which contains some juicy remarks on Pop Bassett and Rederick Spode and continues to be in Stiffy’s possession. Gussie comes up with a fruity scheme to retrieve the notebook from her.

‘Well, listen. You could easily engage her in a sort of friendly romp, if you know what I mean, in the course of which it would be simple to…well, something in the nature of a jocular embrace…’

I checked him sharply. There are limits, and we Woosters recognize them.

‘Gussie, are you suggesting that I prod Stiffy’s legs?’

‘Yes.’

‘Well, I’m not going to.’

‘Why not?’

‘We need not delve into my reasons’, I said, stiffly. ‘Suffice it that the shot is not on the board.’

He gave me a look, a kind of wide-eyed, reproachful look, such as a dying newt might have given him, if he had forgotten to change its water regularly.

Unfortunately, Gussie proceeds with his plans. This prompts Madeline Bassett to scratch their engagement, thereby putting both Gussie and Bertie in a limbo.

Of girls clad in swimsuits in one’s bed

Bertie is never too keen on having Pauline in his bedroom in the small hours of night, and that too dressed in a wet swimsuit. But his reaction upon finding her there is not to fall for one of the devilish schemes of Cupid. His primary concern is to get her out of his cottage at the earliest possible. He does not even try to kiss her. Deciding to wait till the morning, he himself sleeps in the garage. (Thank You, Jeeves)

Bertie often comments on women’s bodies but only as an appreciation of beauty. There’s never any lust involved and he treats his female friends well, though he considers Madeline a drip and Bobbie Wickham and Stiffy Byng as troublemakers.

The closest he appears to come to expressing some lascivious thoughts is perhaps in The Mating Season. But here again, the Code of the Woosters reigns supreme.

When reproduction is embarrassing

The very idea of reproduction embarrasses Bertie Wooster, making him blush, as in this conversation he once had with Aunt Agatha:

‘Aline Hemmingway,’ said Aunt Agatha, ‘is just the girl I should like to see you marry, Bertie. You ought to be thinking of getting married. Marriage might make something of you. And I could not wish you a better wife than dear Aline. She would be such a good influence in your life.’ 

‘Here, I say!’ I chipped in at this juncture, chilled to the marrow. 

‘Bertie!’ said Aunt Agatha, dropping the motherly manner for a bit and giving me the cold eye. 

‘Yes, but I say–’ 

‘It is young men like you, Bertie, who make the person with the future of the race at heart despair. Cursed with too much money, you fritter away in idle selfishness a life which might have been made useful, helpful and profitable. You do nothing but waste your time on frivolous pleasures. You are simply an anti-social animal, a drone. Bertie, it is imperative that you marry.’

 ‘But, dash it all–’

 ‘Yes! You should be breeding children to – ‘

 ‘No, really, I say, please!’ I said, blushing richly. Aunt Agatha belongs to two or three of these women’s clubs, and she keeps forgetting she isn’t in the smoking-room.

 (The Inimitable Jeeves)

 

Of upturned faces and burning kisses

Showering upturned face with burning kisses is another tactic that brings a Plummy reader to a somewhat provocative titillation. Constable Ernest Dobbs of The Mating Season fame indulges in such a naked display of affection towards Queenie, the maid at Deverill Hall. However, he is quick to apologize.

The perks of being an eccentric

Rupert Psmith hastens to rush across to handover a virtually stolen umbrella to Eve Halliday in Leave it to Psmith. He indulgently tolerates a stain on his assumed character when Eve takes him to task during a boat ride for mistreating his supposed wife who is a close friend of hers. Cupid brings them close together yet again while facing Smooth Lizzie, but there is never any trace of any physical intimacy between the two of them. This is how their alliance gets sealed:

‘Cynthia advised me’, proceeded Eve, ‘if ever I married, to marry someone eccentric. She said it was such fun…Well, I don’t suppose I am ever likely to meet anyone more eccentric than you, am I?

‘I think you would be unwise to wait on the chance.’

When class distinctions evaporate

Other than cross-class affairs at many places, we also run into Lord Emsworth treating his young friend who happens to be a girl rather well. When Gladys requests some flowers, he hesitates, but cannot refuse her. Just as she is picking her flowers, McAllister rushes up in a fury, but his master, encouraged by Gladys’ hand in his, stands up to the man, putting him in his place. (Lord Emsworth and the Girl Friend)

Here is a case where the innocence of Master Cupid does the trick, holding the adult Cupid at bay.

Snuggling close together

In one of the short stories, estranged lovers get reunited on an isolated beach. When a chilly wind starts blowing in, the girl, who is not sufficiently clad, ends up asking the party of the other part if it would not be better if they snuggled together. The rest, of course, is left to the reader’s imagination. (Wilton’s Holiday, The Man with two left feet)

She seated herself with her back to him. Dignity demanded reprisals, so he seated himself with his back to her; and the futile ocean raged towards them, and the wind grew chillier every minute.

 Time passed. Darkness fell. The little bay became a black cavern, dotted here and there with white, where the breeze whipped the surface of the water.

 Wilton sighed. It was lonely sitting there all by himself. How much jollier it would have been if—

 A hand touched his shoulder, and a voice spoke—meekly.

 ‘Jack, dear, it—it’s awfully cold. Don’t you think if we were to—snuggle up—’

 He reached out and folded her in an embrace which would have aroused the professional enthusiasm of Hackenschmidt and drawn guttural congratulations from Zbysco. She creaked, but did not crack, beneath the strain.

 ‘That’s much nicer,’ she said, softly. ‘Jack, I don’t think the tide’s started even to think of going down yet.’

 ‘I hope not,’ said Wilton.

Warm embraces and progeny

Perhaps the top slot for flirtatious initiatives in Plumsville would go to Gally and Lord Ickenham, who are known to have embraced young ladies with warmth much greater than what might be warranted.

The paternalistic origins of Sue Brown, the daughter of Gally’s old flame Dolly Handerson, leave Plum fans twiddling their thumbs. In any case, illegitimate children are never in the scheme of things in Plumsville.

 

Plumsville: Intentions as pure as freshly driven snow

If one were lucky enough to have gone through all the works of Wodehouse, and even his biographies, one is unlikely to find any traces of either overt sexuality or vulgarity. Strong attraction, yes. Infatuation, decidedly. Cupid’s arrows, surely. The world he has left behind for us to revel in is innocent, with intentions as pure as freshly driven snow. And therein we have the unique appeal of his canon.

 

Several lenses of viewing the Wodehouse canon

There are several lenses with which one could discern the messages embedded in his works. A literary lens would reveal his canvas to be very wide. A spiritual lens would bring into sharp focus the kind of lessons he forks out about life in general. A fitness lens would nudge us to avoid the pleasures of the table and remain fit and trim. A social lens would make the scales on our eyes fall and help us in seeing the perils of economic inequality.

However, a romantic lens would reveal a clear absence of cruder passions. Respect for women reigns supreme. In fact, his canon is a sterling example of a superficial male supremacy where, in reality, it is the females who call almost all the shots, whether in the form of domineering aunts and love interests who have perfected the art of wrapping the males around their dainty fingers, enterprising collaborators who think nothing of stealing scarabs, efficient secretaries who wish to earn their pay through hard work, romantic interests who think stars are God’s daisy chains, and of course those who have the grit and determination to pursue their careers with reverent support from the Bingo Littles of their lives.

Cupid is invariably omnipresent. But one would not be surprised to find a note from him one of these days, protesting overwork and lack of any assistance whatsoever. If Santa Claus, who gets busy only around Christmas time, could have elves and a fleet of reindeer supporting him, why he, who has to remain preoccupied throughout the year, 24 by 7, has to work single-handedly, he might well ask.

 

Blessing: A singular absence of Vitamin S

Dishing out narratives which get lapped up by common folk like us despite a missing element of Vitamin S, considered so very critical to the commercial success of an author, is no mean task. P G Wodehouse accomplished it. His plots invariably stuck to the conventional norms of morality.

A blessing, indeed. Much like seeing a family movie which is certified as ‘U’, reading the works of P G Wodehouse gives us a neutral ring side view of romantic affairs of all kinds. But to label these as ‘romcoms’ might not be proper. Perhaps, as suggested by Honoria Plum of Plumtopia fame elsewhere, a term along the lines of ‘comroms’ might do the Wodehouse canon better justice.

In an age when the threshold of childhood innocence is getting lowered with each passing year, his works happen to be squeaky clean, safe to be devoured even by kids and adolescents about whom their hapless parents lose much of their beauty sleep these days.

Educationists could improve upon the effectiveness of the sex-education packages for their wards by including some references to the works of Wodehouse.

Judicial beaks the world over, while dishing out harsh sentences to those convicted of sexual adventurism, could seriously consider gifting a tome of the Master’s works for them to compulsorily devour while cooling their heels in prison.

Societies and associations which propagate Wodehousean thoughts could come up with annual awards which get dished out to those who demonstrate a chivalrous approach to the challenges faced by their heart-throbs.

The possibilities are limitless. The mind boggles.

(Yours truly acknowledges with great respect the inputs of those Plum fans whose thoughts have enriched this post many times over.)

(Related Posts:

https://honoriaplum.wordpress.com/2019/02/09/wodehouse-and-the-romantic-novelist-sophie-weston

https://ashokbhatia.wordpress.com/2014/04/12/different-shades-of-women-in-plumsville

https://ashokbhatia.wordpress.com/2016/02/14/when-rozzers-in-plumsville-fall-in-love

https://ashokbhatia.wordpress.com/2015/04/01/when-masters-thos-bonzo-and-moon-rise-in-love

https://ashokbhatia.wordpress.com/2015/02/13/joe-julia-and-a-seasoned-romance

https://ashokbhatia.wordpress.com/2014/02/04/piggy-maudie-and-a-seasoned-romance

https://ashokbhatia.wordpress.com/2017/02/14/of-mrs-spottsworth-and-the-biggar-code-of-white-men)

 

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ashokbhatia

For avid fans of P G Wodehouse, it is not easy to relish the kind of comedies Bollywood keeps churning out. Humour which is loud, crass and uncouth repels them. Back-slapping and guffawing is something they do not take kindly to. What appeals to their finer sensibilities is a subtle brand of humour. Even mild sarcasm does not make their shapely eyebrows arch upwards by a fraction of an inch, as long as it is delivered in fine taste.Movie Mad world

Play a so-called comedy which is full of inane humour, double entendres and much back-slapping, and they are apt to recoil in horror. Bring in a typical rom-com and they would bemoan the repetitive nature of the goings on. But switch to a movie with a dash of Wodehousian humour, and one would find them in good cheer, nibbling a yummy chocolate with their soul-mate sprawled next to them on the…

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For avid fans of P G Wodehouse, it is not easy to relish the kind of comedies Bollywood keeps churning out. Humour which is loud, crass and uncouth repels them. Back-slapping and guffawing is something they do not take kindly to. What appeals to their finer sensibilities is a subtle brand of humour. Even mild sarcasm does not make their shapely eyebrows arch upwards by a fraction of an inch, as long as it is delivered in fine taste.Movie Mad world

Play a so-called comedy which is full of inane humour, double entendres and much back-slapping, and they are apt to recoil in horror. Bring in a typical rom-com and they would bemoan the repetitive nature of the goings on. But switch to a movie with a dash of Wodehousian humour, and one would find them in good cheer, nibbling a yummy chocolate with their soul-mate sprawled next to them on the couch.

The purists amongst us would argue that movies mentioned below are not even a pale shadow of the original sunlit brilliance of the Wodehousian brand of humour. No disagreement whatsoever. Wodehouse is Wodehouse. He stands tall and alone in providing soothing comfort to tormented souls on this planet.

Yet, let us not overlook the fact that the luxury of eloquence enjoyed by literature is simply not available to movie Movie Mrs_Doubtfiremakers. Moreover, the commercial considerations weigh much more on the minds of a producer-director duo whose principal aim is to set the box office afire. Given these constraints, if a team does come up with an offering which is clean and unalloyed fun, due credit may be given. Yes, the movies listed below were not based on Wodehousian narratives. But they deserve a mention because at least a part of them manages to capture the kind of subtle humour which the residents of Plumsville relish.

From the stable of Hollywood, one fondly recalls movies like ‘It is a Mad, Mad, Mad, Mad, World’, ‘Honey, I Shrunk the Kids’, ‘Mrs. Doubtfire’, ‘Baby’s Day Out’ and ‘Dunston Checks In’, just to mention a few.

Bollywood has also churned out quite a few rollicking comedies, but very few of these have the dash of subtlety which is the hallmark of Wodehouse in literature.

Here is a quick look at movies which have provided us a clean, sumptuous and sophisticated comic fare over the years.

Chalti ka Naam Gaadi, 1958 (That which runs is a vehicle)

Chalti_ka_Naam_Gaadi

A story of three brothers who run an auto garage. The eldest takes a jaundiced view of the delicately nurtured and complications arise when the younger ones start behaving like Bingo Little and discover the Rosie M Banks of their lives.

Pyar Kiye Jaa, 1966 (Keep Loving)Movie Pyaar_kiye_jaaA story of two couples who resort to a bag of tricks to get united. The scene where a Tuppy Glossop (Mehmood) aspiring to turn a movie director narrates a scene to Pop Glossop (Om Prakash) shall forever remain fresh in the memory of those who love a dash of Wodehousian humour on celluloid.

Padosan, 1968 (The Lady Neighbor)Movie PadosanA musical which brought out the Indian North-South divide in a humorous manner. A Bertie-like simpleton attempts to woo the woman in a neighboring house. A Jeeves-like friend, played by the inimitable Kishore Kumar, helps him in his mission.

Bawarchi, 1972 (The Chef)Movie BawarchiWarmth of relationships in a joint family gets revived, thanks to the efforts of a servant. Much like Jeeves, he has a solution to all their problems.

Piya Ka Ghar, 1972 (House of the Beloved)Movie Piya_Ka_Ghar,_1972A humorous take on the shortage of housing in the city of Mumbai. A newly married couple tries to find some privacy in a small place which is infested with parents, an elder brother and his wife, a young brother, inquisitive neighbors, intrusive friends and, of course, some mice.

Rajnigandha, 1974 (Tuberose)Movie Rajnigandha,_1974A Madeline Bassett has to make a choice between two persons, eventually deciding in favor of a Bertie-like simpleton. Based on a story by Manu Bhandari.

Chhoti Si Baat, 1975 (Such a Small Matter)Movie Chhoti_Si_BaatA Gussie Fink-Nottle type hero, shy and diffident to the core, gets tongue-tied when it comes to winning over the love of his life. Coaching by a Jeeves-type expert makes him successful in his endeavors. Based on ‘The School for Scoundrels’, a 1960 British comedy.

Chupke Chupke, 1975 (Hush Hush)Chupke_Chupke posterA rip-roaring treatise on the eccentricities of the linguistic purists. Tired of the lavish praises being heaped by his newly wedded wife onto her Lord Emsworth type brother-in-law, the husband assumes the role of a driver in the latter’s family. Much hilarity ensues as one subterfuge leads to another, eventually making the brother-in-law realize that he has indeed been outwitted.

Khatta Meetha, 1978 (Sweet and Sour)Movie Khatta_Meetha_(1978)An elderly couple ties the knot and handles the challenge of keeping their grown up children together. If Piggy and Maudie had children when they decided to live together, the scenario would have perhaps played out along similar lines. Unfortunately, a Jeeves does not figure in the narrative, nor does the lining of the stomach.

Baton Baton Mein, 1979 (By the way)Movie Baton Baton MeinA light-hearted comedy about two young persons discovering their love for each other. The only complication in their love story is the Gussie-like boy’s shyness in clearly expressing his love for the girl.

Gol Maal, 1979  (Hodgepodge)220px-Golmal_PosterA well-intended pun directed at moustache maniacs. A father, in the mould of a Pop Bassett, is convinced that those without a moustache are characterless. Unwittingly, his daughter falls for a smart young man who wears a false moustache to get a well-paying job with her father. Much hilarity ensues and the father eventually relents and accepts their marriage.

Khubsoorat, 1980 (The Beautiful One)Movie khoobsuratThe need to strike a healthy balance between freedom and discipline in family life, espousing the cause of nirmal anand (unalloyed bliss). The lady of the house is a strict disciplinarian; a stiff-upper-lipped person, much like Aunt Agatha. A Bobby Wickham type heroine who believes in spontaneity walks in and wins the heart of the family.

Chashme Buddoor, 1981 (Let No Evil Glance Come Your Way)Movie Chashme_BuddoorA youthful story of three friends and a damsel who is not in distress. Two of the friends are jealous of the third one for whom the damsel falls and create a rift between the two. Luckily, the damsel has an aunt fashioned on the lines of Dahlia, who intervenes to reunite the couple.

Naram Garam, 1981 (Soft but Hot)Movie Naram_GaramWhen a Lord Emsworth type landlord decides to get married to a much younger Honoria Glossop, the employee hero needs to call in the landlord’s young daughter and former mother-in-law to the marriage venue so as to walk down the aisle himself. In the process, he is able to negotiate a hefty increment as well as secure possession of a big house to stay in. The hero sounds like a Bertie, though with brains of a Jeeves.

Angoor, 1982 (The Grapes)Movie AngoorA modern-day take on ‘The Comedy of Errors’, with two pairs of identical twins getting mixed up in a series of funny situations.

Satte pe Satta, 1982 (Seven on Seven)Movie Satte_Pe_SattaA comic thriller, adapted from the 1954 Movie ‘Seven Brides for Seven Brothers.’

Hamari Bahu Alka, 1982 (Alka, our Daughter-in-law)Movie Hamari_Bahu_Alka,_1982A newly married couple tries to find some privacy by running away from home.

Shaukeen, 1982 (The Connoisseurs)Movie ShaukeenHow three elderly but young-at-heart friends learn to give up their lecherous and voyeuristic ways.

Jaane Bhi Do Yaaron, 1983 (Let It Pass, friends)Movie Jaane_Bhi_Do_Yaaro_1983The perils of investigative journalism.

Kisi Se Na Kehna, 1983 (Don’t Tell Anyone)Movie KissiseNaKehnaAn educated lady-love is projected as a traditional village belle. Post-marriage, however, it becomes a challenge for the couple to live the lie.

Rang Birangi, 1983 (The Colourful)Rang_Birangi PosterHow a bored housewife gets helped by a friend to rekindle the embers of love between herself and her husband. Many of us still remember the role played by Utpal Dutt, that of a police inspector named Dhurandhar Bhatawadekar. Goes on to show what a Constable Oates could achieve, when not restrained by a Justice of the Peace.

Chameli ki Shaadi, 1986 (Chameli’s Marriage)Movie Chameli ki ShaadiA comic look at how a couple overcomes objections from their guardians to get united, all thanks to a lawyer friend. A satire on the caste system prevalent in India.

Pushpak, 1987 (The Love Chariot)Movie Pushpaka_VimanamA full length feature film sans dialogues of any kind, the movie remains a critic’s delight. Somewhat dark and pungent in parts, but otherwise a perfect fit to the kind of subtle humour a Wodehouse fan yearns for. A Bertie type hero faces joblessness but ends up with a positive attitude, with squared shoulders and a chin-up disposition.

Chachi 420, 1997 (Aunty 420)Movie Chachi_420Loosely based on Mrs. Doubtfire, the movie was about a father impersonating as a house maid so as to be close to his daughter.

Jhoot Bole Kauwa Kaate, 1998 (Speak a Lie and the Crow will Bite)Movie Jhooth_Bole_Kauwa_KaateThe value of truthfulness in all relationships. The hero begins to create a series of lies (hence the title – whenever he lies, the crow caws) in attempting to get the person he loves.

Munna Bhai MBBS, 2003Poster-Munna_Bhai_M.B.B.S.A hilarious movie showcasing the gaps in the medical education system. When a medical college is headed by a principal who is built along the lines of Rev. Aubrey Upjohn, a rowdy-turned-student determines to show him the need to treat patients with empathy.

Lage Raho Munna Bhai, 2006 (Keep at it, Munna Bhai)Lage_raho_munna_bhaiThe hero does not wear a green colour beard, but projects himself as a college lecturer with high ideals. In reality, he is a gangster. A rip-roaring comment on property sharks, inane superstitions and the need to uphold Gandhian values.

3 Idiots, 2009pondy movie 3_idiotsThe spirit of innovation often gets killed by the pressures of society and parents, when youngsters are not free to chase their own dreams and take up professions which they are passionate about. An Aubrey Upjohn, a Bertie Wooster, a Bingo Little, a Tuppy Glossop, a Roderick Spode and an Angela come together and present a sparkling narrative.

Atithi, Tum Kab Jaoge? 2010 (Dear Guest, When Would You Depart?)Movie Atithi_Tum_Kab_JaaogeHow even elderly strangers can add value to a family’s life.

Vicky Donor, 2012Movie Vicky_Donor_2012A delightful spoof on sperm donation and infertility. One of the main characters, a pseudo doctor who claims to specialize in assisting couples in begetting designer babies, sounds much like a Jeeves who has all the right answers.

Oh My God! 2012Movie Oh My God PosterA satire on the ills plaguing organized religion and idle worship.

Finding Fanny, 2014Movie Finding_FannyThis one is like a Joe searching for a long-lost Julia. The story is essentially about a road trip set in Goa and follows the journey of five dysfunctional friends who set out in search of Fanny, the love-interest of Naseeruddin Shah. A gracefully matured Dimple Kapadia and a voyeuristic Pankaj Kapur add some extra zing to the proceedings.

PK, 2015Movie PKA delightful comedy which depicts the satirical outlook of an extra-terrestrial being towards our religious beliefs and practices. Some fundamental questions relating to faith get raised, but with liberal doses of sophisticated humour.

We are in luck that God has not stopped dishing out directors who excel at regaling the audience with sunlit humour woven into their scripts. If we had the likes of Hrishikesh Mukherji, Basu Chatterji, Gulzar and Sai Paranjpe in the past, now we have Ashwani Dheer, Shoojit Sircar and Rajkumar Hirani who have perfected the art of blending social messages with a dash of Wodehousian humour.

Admittedly, this could not have happened but for the support of some exceptional character actors. In the days of yore, we had the likes of Gope, Mehmood, Johny Walker, Mukri, Dhumal, Tun Tun, Manorama, Jagdeep and Asrani regaling the audience with their raucous and overdone funnies which kept popping up a dime a dozen. In the recent past, the likes of Raghuvir Yadav, Rajpal Yadav and Paresh Rawal have kept us rollicking in our chairs.

Nevertheless, one would be tempted to put Om Prakash and Utpal Dutt at the top of the pack. Their virtuosity, mannerisms and body language were always understated, and kept tickling our funny bones in the right spot.Movie Ram_Aur_Shyam

When it comes to providing a comic relief, heroes of mainstream commercial movies have often competed with hard-core comedians. Raj Kapoor came up with his Chaplinesque mannerisms. The ‘tragedy king’ Dilip Kumar made us smile with his antics in such movies as ‘Kohinoor’ and ‘Ram aur Shyam.’ The comic timing of Amitabh Bachhan and Dharmendra is legendary. In fact, over a period of time, mainstream heroes and heroines have somewhat managed to make the role of a stand-alone comedian redundant.

Even our much-hated villains have surprised us with their flair for comedy. Pran did a tango with the inimitable Ashok Kumar in ‘Victoria No. 203’. Amjad Khan, whom we all hated in ‘Sholay’, did not disappoint us in such movies as ‘Chameli Ki Shaadi’ and ‘Qurbani.’Movie Victoria_No._203

The core message in earlier Bollywood comedies was either about the value of togetherness and harmony or about the travails of a Sippy-type hero who suffers from an inferiority complex. Recent offerings have instead touched upon the ills plaguing our society. Many Bollywood movies have managed to deliver a message crafted of chilled steel couched in a velvet-like mirthfulness.

May the tribe of such directors, producers, actors and script-writers continue to multiply!

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