Feeds:
Posts
Comments

Posts Tagged ‘Bollywood’

My Views On Bollywood

By

Sharada Iyer

Our rich repertoire of films boasts of many kinds of unique song picturizations which have kept the songs as well as the artistes associated with them alive in our hearts. Take for instance the innumerable songs picturized on different modes of transport- from bullock cart and horse cart to cycle, car, jeep, bus, train, plane and even helicopter- the vehicle in all these songs imparts a special character to the songs and thus help the actors in conveying their emotion in a distinctive manner in the concerned situation .

The very conception of such ideas requires tremendous imagination that definitely needs to be lauded. The director who thinks of the apt situations to insert such songs in the narrative, the dance director or choreographer who translates this idea into reality, the lyricist who writes the words, the music director who turns them into catchy songs and finally…

View original post 1,663 more words

Advertisements

Read Full Post »

My Views On Bollywood

By

Sharada Iyer

The musical instrument ‘Guitar’ has always been associated with love, romance and a youthful vigour in Hindi cinema. From the Black & White era to the present scenario we have had various actors and actresses lip-syncing to some fabulous songs in different situations in our films.

Many songs were picturized in clubs and party settings while others were solo numbers sung by the hero to the heroine and in rare instances vice versa. Still others became part of the film’s story when the actor concerned was playing the role of a singer in a band in the film. Some directors imaginatively picturized guitar songs as part of the background in a situation.

Ironically many of our popular stars like Dilip Kumar, Raj Kapoor, Dharmendra, Salman Khan, etc., never got the opportunity to have a full-fletched guitar song picturized on them. On the other hand some of the…

View original post 2,570 more words

Read Full Post »

My Views On Bollywood

By

Sharada Iyer 

The rich repertoire of our century-old Hindi film music boasts of a wide range of songs based on a variety of classical Hindustani ragas. There is no denying that the reach of Hindi films and Hindi film music in our country is far beyond any other form of music. Therefore instead of composing these songs in a typical classical style which may appeal only to a select audience with in-depth knowledge of the technicalities of classical music, our music directors draw inspiration from our vast legacy to compose either semi-classical songs or just touch upon the raga lightly. 

These subtle modifications in the raga allows them to compose apt songs to suit the mood and setting of  the story and the character keeping in mind the visual medium of cinema. Therefore, such compositions not only help to enhance the appeal and reach of these ragas to the large…

View original post 1,469 more words

Read Full Post »

My Views On Bollywood

By

Sharada Iyer

Lyrics impart soul to the song and form an integral and important part of any song. Not only do the lyricists have to use their talent to express in words a variety of feelings and emotions but they also need to have the knack to fit the words into a 3-minute song format to suit the character and the demands of the scene as conceived by the director. Indeed it requires tremendous skill, a lot of imagination and mastery over the language to come up with winning results.

Our film industry has been blessed with some brilliant poets and lyricists in every era but not all of them attained the same level of popularity. Though we may recollect the names of some top lyricists like Shailendra, Hasrat Jaipuri, Sahir Ludhianvi, Anand Bakshi, Indeevar, Majrooh Sultanpuri, etc., not many of us can remember lyricists like Naqsh Lyallpuri, S…

View original post 1,952 more words

Read Full Post »

When Bollywood directors decide to etch out the character of either a mother or a soul mate in finer detail, lullabies come in handy.

It is widely believed that lullabies, when sung with minimal words and unaccompanied by any kind of music, have more of a soothing effect on a baby. However, given the penchant of the Indian audience to lap up lyrics only when dished out along with some lilting music, our directors make some compromises and come up with songs which not only boast of some soulful lyrics but are also accompanied by a wide range of musical instruments playing softly in the background.

The result is that many of these tend to soothe the frayed nerves of not only a baby but even some adults who appear to be passing through a challenging phase in their lives. In other words, the lullabies on our silver screens not only put babies to sleep but also get deployed as a clever device to provide succour to anguished souls in other age brackets.

Let us recapitulate some of the outstanding lullabies dished out by Bollywood over the past few decades.

For kids in all kinds of circumstances

A key feature of parenthood is the desire to protect one’s child from the harsh slings and arrows of Life. A lullaby could get sung in a protective environment. It could also get rendered when either a mother or a caretaker is seriously concerned about the future of the child.

 

Do Bigha Zamin

(1953, Music: Salil Chowdhury, Lyrics: Shailendra)

 

Vachan

(1955, Ravi, Prem Dhawan)

 

Do Ankhen Baarah Haath

(1957, Vasant Desai, Bharat Vyas)

 

Pardesi

(1957, Anil Biswas, Prem Dhawan or Ali Sardar Jafri)

 

Sujata

(1959, S D Burman, Majrooh Sultanpuri)

 

Mujhe Jeene Do

(1963, Jaidev, Sahir Ludhianvi)

 

Brahmchari

(1968, Shankar Jaikishan, Shailendra)

 

Koshish

(1972, Madan Mohan, Gulzar)

 

Mukti

(1977, R D Burman, Anand Bakshi)

 

Masoom

(1983, R D Burman, Gulzar)

 

Zubeidaa

(2001, A R Rahman, Javed Akhtar)

 

Swades

(2004, A R Rahman, Javed Akhtar)

 

Providing solace to adults

When a weary soul is on the lookout for some solace, help comes from a loving and devoted companion, who could either be a soul mate or an empathetic person who believes that it is his duty to comfort the other. The music is so soothing as to put the weary person to sleep, thereby helping him or her to cope with distress.

Zindagi

(1940, Pankaj Mullick, Kedar Nath Sharma)

 

Albela

(1952, C Ramchandra, Rajinder Krishan)

 

Shabaab

(1954, Naushad, Shakeel Badayuni)

 

Hum Dono

(1961, Jaidev, Sahir Ludhianvi)

 

Khandaan

(1965, Ravi, Rajendra Krishan)

 

Sadma

(1983, Iliyaraja, Gulzar)

 

The deep yearning to bear a child

Some of you might agree with me that a soothing song which poignantly captures the deep yearning of a woman to bear a child could also be labelled as a lullaby. Even though it expresses tender thoughts for a child who might still be on the horizon, the feelings portray the same love and affection as the ones articulated in a lullaby.

Filhaal

(2002, Anu Malik, Gulzar)

 

Most of these songs have a different context. But the underlying sentiment of empathy, compassion and love remains the same. The fertile imagination of a director, coupled with the creativity of a music director, ensures a wide spectrum of the genre of lullabies in Bollywood, ranging from yet-to-be-born children to those who are much past the phase of childhood.

Diminishing returns from lullabies?

This post is surely not an exhaustive one. But while compiling the songs, yours truly was struck by the relative absence of lullabies in the movies released in recent decades. For the 1950s, I could come up with 7 of the songs listed above, whereas for the 2010s I could barely trace 3 songs in  this genre!

Perhaps, our producers and directors no longer appear to believe that the presence of soothing lullabies in their offerings to the gullible audience makes the box office ring any louder. It is not that scripts centered on kids do not find favour with them. In fact, the converse could be true. Think of Tare Zameen Par, Nil Battey Sannata, The Blue Umbrella, I Am Kalam, Stanley Ka Dabba and many others which have been eagerly lapped up by the audience in the recent past. But the character of children has undergone a change. No longer are they to be pampered with lullabies. Instead, they are showcased as being smarter kids, somewhat grown up and awash with dazzling inputs from the digital world that surrounds them. They no longer appear to be vulnerable, needing the emotional support of a lullaby to get to sleep.

Perhaps this has to do with the setting of most scripts having become an urban one. With the rise of the nuclear family and the ready availability of technological gizmos, the space for lullabies appears to be shrinking. Choices for hapless parents who are caught in the vicious circle of materialistic pursuits of life have narrowed down. In children’s formative years, perhaps a soothing touch is getting gradually replaced with cold metallic screens streaming inane cartoons and animation movies which are replete with violent sequences. With each passing decade, the threshold of innocence appears to be getting lowered, thereby reducing the utility of a soulful lullaby to add to the box office collections.

But parents and soul mates need not lose heart. Bollywood’s repertoire of lullabies of the past is a rich one. Many of the songs alluded to above could still be of immense utility when it comes to putting their wards to a restful slumber.

Also, there is the hope that the future may somehow see a revival of this unique genre of Bollywood music. However, given the creative imagination of our script writers and lyricists, one would not be surprised to find a humanoid being shown to be crooning a lullaby wherein the moon has got replaced by inter-galactic travel, the stars have given way to the twinkling city lights and a cool breeze has got substituted by gentle air conditioning!

(Related Post: https://ashokbhatia.wordpress.com/2016/11/20/bringing-up-kids)

 

 

 

 

Read Full Post »

Our dream merchants keep dishing out movies. Some of us who use a managerial lens to view the same keep learning new lessons from these.

There are several parallels between a reel career and a real career. On the screen, we admire a hero. At our place of work, we admire some of our bosses. On the screen, we notice the oomph of a diva and fall in love with her, at least temporarily, till the time the next heart-throb pops up in another movie after some time. Likewise, in real life, we come under the temporary spell of a company. We join it, only to find that what was showcased as heaven turns out to be a hell in more ways than one. We then decide to shift our allegiance to another corporate we come across.

In the movies, we learn to hate a villain or a vamp. In real life, we run into those who oppose all our proposals tooth and nail. Some do it openly whereas others, much to our chagrin, do it covertly. We decide to move on to greener pastures, only to find some villainous characters there as well. Only the faces and names change, their jaundiced approach to us does not.

While watching a movie, we experience a willing suspension of disbelief. In real life, we often end up suspending our egos and our autonomy of thought. If a flick makes us travel to a fantasy land for 2-3 hours, a career makes us grind our heels for at least 10 hours a day.

Recently, an opportunity came up for yours truly to interact with members of the Ahmedabad Management Association in India. Some of the fresh ideas presented at the event could be summed up as follows.

Building Synergy and Team Management

  • Handling ethnic and regional prejudices
  • Seeking areas of agreement first
  • Building on strengths, Compensating for weaknesses; Synergy
  • Overcoming adversity
  • No eve teasing, No sexual harassment

Inspiring Leadership

The manner in which Nelson Mandela endeavours to overcome racial prejudices not only in his team of personal assistants but also in the country makes one sit back and wonder as to how he thought of using a sport like rugby to further his agenda. One of the qualities of leaders who inspire us is a capacity to indulge in out-of-box thinking to solve complex problems.

Brand Building



If one was about putting customer needs first, the other was about the use of even unethical means to achieve an ethical end – that of delivering better value to customers. Both cover a critical success factor which contributes towards building a brand.

Human Values: Energy and Wisdom

When a start-up driven by only youthful energy also starts tapping into the wisdom of an experienced executive, things start to fall into place. Business grows in a sustainable manner.

Firing and Terrorizing


The emotional cost of being on a firing spree could take its own toll, dulling sensibilities in a significant manner. The trauma of working under a tough and unreasonable boss leads to a deeper understanding of the managerial process.

Hormones vs Hierarchies





Managements can no longer afford to look the other way when their key performers happen to be having a serious affair with one of their team members. Work places need to be made more gender sensitive.

Battling the Cancer of Corruption


Both were a humorous take on the issue. One led to failure while the other one concluded on a positive note.

Aiming High


Demonstrates the kind of sacrifices one makes and the subterfuges one indulges in to climb the ladder to dizzying heights of one’s chosen profession. Managing successes and failures with a dash of equanimity is a critical factor.

Mentoring



Deep reserves of patience are a hallmark of a good mentor. The satisfaction of a job well done is far more important than the money at stake.

Start Ups



Identifying and tapping latent market potential is an important skill for an entrepreneur to have. Leveraging one’s core strengths happens to be another.

 

Some Observations of the Audience

  1. Quite a few movies gain traction due to the pre-release controversies which appear to get whipped up. Would you say that such controversies form a part of a well-orchestrated marketing campaign for the movie concerned?

In most of the cases, perhaps yes. When millions ride on a single movie, the producers would go to any lengths to keep the box office registers ringing aloud.

  1. Many of the movie reviews in the press appear to be unduly biased, either praising or panning a work in a superficial manner. Whom can we trust for an honest and objective review?

Good observation. Since I am active in blogosphere, over the years, I have somehow come to trust some individuals who, I believe, provide a balanced view of the movies which keep coming up. Here are some which might be of interest to those who love cinema:

Of course, there would be several others whom I am yet to discover.

  1. Why did you not think of becoming a movie critic yourself?

Simply because I would rather watch a movie with a quiet mind, sans a deadline and an editor breathing down my neck. Making one’s hobby a profession has its own perils! 

  1. The rising level of obscenity in our movies. Is there anything that can be done about it?

Trust our film makers to keep pushing the envelope further with each passing year. Shock, awe and titillation happen to be the name of the game. A rejection by audience could alone bring results. A self-certification by movie makers as to the Gender Sensitivity Rank of an offering could help.

 

(Notes:

 

Read Full Post »

My Views On Bollywood

By

Sharada Iyer

“Your classicism is of value only if you know how to fine-tune it to the peculiar visual needs of instant cinema. In the end in the recording room it is not who knows classical singing but who has the ability to modulate classicism to the adolescent needs of mainstream cinema”

– Raju Bharatan (taken from his book- ‘A Journey Down Melody Lane’, 2010)

The repertoire of our century old Hindi film music boasts of a wide range of songs based on a variety of classical Hindustani ragas. As the object of a raga is to express a certain emotional mood and sentiment each music director has captured the essence of the raga in his/her own way to fit into the milieu of the narrative- ranging from deep love and longing, to the agony of separation, a heart-felt devotional ‘bhajan’ or just a peppy dance number.

Instead of…

View original post 1,310 more words

Read Full Post »

Older Posts »