The Class of 1976: Some pseudo-academic pursuits

ashokbhatia

Besides perfecting the art of getting suspended, organizing musical events and assisting in the successful launch of such cult classic movies like Sholay, the Class of 1976 also indulged in various pseudo-academic pursuits.

These included holding pan-Indian conferences in the pre-Jurassic days when not many money-gobbling dinosaur-like management institutes with a dubious pedeagogy happened to be clogging our streets.

Participation in elocution contests and winning trophies for the Alma Mater was a routine affair. So was attending professional events in New Delhi, holding a bridge championship, organizing a quiz contest and such other endeavours.

Maruti was then being heralded as a fulfilment of the common man’s transport ambitions. A detailed market survey based on ‘product attribute analysis’ was conducted, the results of which were eagerly lapped up by the Automobile Association of India.

Here are some details of the pseudo-academic endeavours of the gang of 1976.

A confluence of…

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The Class of 1976: Forging the lingering bonds of friendship

ashokbhatia

One of the major rewards of being a part of the gang of 1976 has been the kind of strong and resilient bonds of friendship one has been able to forge. Bonds which have survived the harsh slings and arrows of Life. Bonds which are like underground cable connections – dormant, but in place, ready to be reactivated as and when necessary.

Way back in the 1970s, UBS was an integral part of what was then known as the Department of Commerce and Business Management. Students of the Commerce stream would tend to treat the ones from the Management stream with some degree of awe, though laced with not-so-healthy contempt. Some lecturers from the Commerce side regularly put on a tie, trooped down to the ground floor, and shared their wisdom in de-mystifying balance sheets and cash flows with the Management students.

How friends made me gate-crash, cruise through, and…

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Some movies with a dash of Spirituality (Part 4 of 4)

Background

In this series, we have tried to look at some movies through the spiritual lens of 12 personality traits mentioned by The Mother of Sri Aurobindo Ashram at Pondicherry in India.

Part 1 had covered the traits of Sincerity and Humility. Part 2 had looked at movies which touch upon such traits as Gratitude, Perseverance, Aspiration and Receptivity. In Part 3, we had checked out some movies which could be held to be representing the following personality traits: Progress, Courage, Goodness and Generosity.

Here is the concluding part, which covers the remaining two traits, namely Equality and Peace.

Thank you for joining me in this exploratory journey!

 

Equality

Here is a rare virtue, seldom practiced, whether at an individual level or in a society. Walls of race, caste, colour, creed, gender and financial well-being keep going up. The notion of ‘I’ takes precedence over that of ‘We’. Deriding ‘the other’ often satisfies our ego more readily. In many parts of the world, even some professions get looked down upon.

 

Boot Polish (1954) brought home the point that one’s self-respect is paramount, that polishing shoes is better than begging and also that work of any kind is dignified.

 

Shree 420 (1955) showed us how Ponzi schemes trick ordinary people into parting with their hard earned money. The stark contrast between the haves and the have-nots of the society formed the backdrop of the movie.

 

 

Meri Surat Teri Ankhen (1963) and Satyam Shivam Sundaram (1978) both highlighted the need for giving more importance to inner beauty rather than the external appearance of a person.

 

Rudaali (1993) touched upon the plight of social discrimination, based as it was on the tribe of women of a lower caste who are invited as professional mourners when a person from higher caste passes away.

 

Philadelphia (1993) covered the trials and tribulations of someone who suffers from AIDS and is a homosexual. He is sacked by the legal firm he works for on made-up work-related grounds but fights for his dignity and his rights.

 

Article 15 (2019) is a telling commentary on the perils of the caste system prevalent in the Indian society.

 

Several movies have touched upon the issue of racial prejudices. Schindler’s List (1993) and Munich (2005) are some examples.

When it comes to gender equality, our dream merchants appear to have kept the issue under focus for a long time, much before the #MeToo campaign gained popularity.

In Aandhi (1975), we meet a couple who get reunited after a long time, but decide to keep pursuing their different career paths. 

 

Arth (1982) and Luck By Chance (2009) had the heroines walking off from a relationship.

 

If Abhimaan (1973) touched upon the balance of power between a couple, Ki and Ka (2016) showcased a role reversal between the husband and the wife.

 

 

Parched (2015) narrated the story of four women breaking through the shackles of rigid practices of patriarchy. Thappad (2020) highlighted the issue of patriarchal attitudes and the lack of gender equality within the ambit of marriage.

 

Peace

Many movies depict the gory details of a war to highlight its futility. Here is but a random sample of the ones which drive home the importance of peace in our lives.

 

Life Is Beautiful (1997) made us feel not only the pangs of separation of a couple but also the blossoming of a special bond between a father and his son when they are held in confinement in a concentration camp. When the war gets over, the son, unaware that his father has met his death, excitedly tells his mother about how he had ‘won’ a tank, just as his father had promised if he played the game between them right.

 

Mr. and Mrs. Iyer (2002) was a poignant tale of the kind of affection which develops between two strangers in the midst of chaos and uncertainty caused by communal riots.

 

Veer Zara (2004) narrated the travails of star-crossed lovers. The Indian Air Force officer Veer (Shah Rukh Khan) sacrifices his freedom to protect the honour of the Pakistani heroine’s family. The latter, Zara (Priety Zinta), after a failed marriage, decides to support his elderly parents in India. Both get reunited, thanks to the efforts of a lawyer (Rani Mukherji). Not a single bullet gets fired. Nowhere does a prisoner get tortured. Yet, the message of peace between two warring nations gets delivered.

 

Life Is A Miracle (2004) had the backdrop of the Bosnia-Serbia conflict. When the hostilities break out, Luka’s wife goes away and love blossoms between him and Sabaha. His son is conscripted in the army and is then taken a prisoner of war. The dilemma faced by Luka is that of an exchange between Sabaha and his son Milos. Family gets reunited in the end.

 

From Heartless to Heartful

The movies mentioned here were not necessarily made for any spiritual purposes. These appear here simply because a part of theirs touches upon the 12 personality traits under discussion. In fact, some of these – like Saving Private Ryan and Lakshmi – have graphic violence which often creates revulsion and intellectual indigestion. Perhaps these are designed to hasten our progress from practicing heartlessness to heartfulness!

 

Almost all of these have an underlying streak of spirituality. These affirm the positivity of life, hold human beings as sacred rather than expendable, depict the practice (or otherwise) of human values and encourage the audience to ponder over their existence more deeply than they would in the course of their day-to-day routines.

Another common trait of these movies is that these do not promote a sectarian or religious worldview. Rather, the focus is on highlighting what, in essence, our scriptures and spiritual masters tell us.

Movies with a streak of spirituality stand in sharp contrast to the kind of inane ones which win popular appeal by using item songs, soft porn, obscenity, graphic violence, sadism and torture for sport. This virus, to be dreaded more than the current pandemic, has already spread into video games, kids’ cartoons and gaming applications, polluting the minds of the coming generations and promoting a shoot-first-think-later culture.

We also get hooked by the car chase/big explosion flicks like Fast & the Furious series; high-tech gadget movies like the Mission Impossible franchise; nationalistic movies like Independence Day; heist-based movies and web-series like Ocean’s 11 etc, Money Heist and Jamtaara which do not feel shy of using cuss words; and high school sex-obsessed, gross-out films like the American Pie franchise. Thrillers like Sholay, Khaki, Kahaani and Mom also keep us glued to our seats. But so do such movies with socially relevant themes as Gulaab Gang, Padman and Toilet – Ek Prem Katha.

Perhaps there is an emotional disconnect between Mother Earth and its denizens. Perhaps we are bringing up a bunch of bleary eyed kids glued to their screens – oblivious of the joys of human interface; in the process, dehumanizing them.

Rays of Hope

But we can find some solace in the fact that movies with a dash of spirituality do keep turning up. These keep illuminating the world outside and within us, restoring our faith in the basic goodness of Homo sapiens. Even though these may be few and far between, our producers, directors and script writers have a sharp eye for public tastes. The fact that these are getting made is a positive sign in the first place. There is hope.

Moreover, there must be several others which do not boast of popular stars. We would have never heard of the same. All these, in regional and other languages, must be out there, waiting to be discovered by a receptive audience.

Different approaches to spirituality could lead us to yet another set of movies. But the challenge of choosing the right movies on one of the media platforms we subscribe to would always remain. More so in times which are highly uncertain and when the fear of contracting a disease keeps nagging us from within.

To change and enrich our taste of movies – from heartless to heartful, from mindless to mindful, from hopeless to hopeful, from gory to glory and from demonic to angelic – may not be that easy, unless our own mindset changes. When that happens, our craving for a deeper meaning in our movies would get a leg up. Producers and directors would then offer juicier flicks. Once a ‘critical mass’ is achieved, our collective consciousness shall start changing its contours.

This could be our own humble contribution to some desirable changes in the society at large.

(This series of posts is dedicated to Ms Usha Bhatia, my late wife. Inputs from Mr Sanjay Mohan and Ms Gargi Banerjee are gratefully acknowledged)

(Related Posts:

https://ashokbhatia.wordpress.com/2020/08/13/some-movies-with-a-dash-of-spirituality-part-1-of-4

https://ashokbhatia.wordpress.com/2020/08/16/some-movies-with-a-dash-of-spirituality-part-2-of-4

https://ashokbhatia.wordpress.com/2020/08/20/some-movies-with-a-dash-of-spirituality-part-3-of-4)

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Some movies with a dash of Spirituality (Part 3 of 4)

Background

In this series, we consider some more movies through the spiritual lens of 12 personality traits mentioned by The Mother of Sri Aurobindo Ashram at Pondicherry in India.

Part 1 had covered the traits of Sincerity and Humility. Part 2 had looked at movies which touch upon such traits as Gratitude, Perseverance, Aspiration and Receptivity.

In Part 3, we cover the following personality traits: Progress, Courage, Goodness and Generosity.

Progress

This could be of several kinds – material, spiritual and social. Most of us keep chasing materialistic goals in our lives. Some who feel a nagging emptiness within despite outstanding success on the material plane get awakened to the possibility of a spiritual growth. Few others try and work on such social ills as corruption and hygiene.

Guide (1965) showed us the transformation of an ambitious Raju (Dev Anand) from being an ordinary tourist guide to a successful businessman, thanks to a talented dancer Rosie (Waheeda Rehman). What followed was a web of commerce and misuse of funds, leading to a jail term for Raju. Eventually, upon nearing death, he experiences an awakening of the soul.

 

Invictus (2009) captures the manner in which Nelson Mandela endeavours to overcome racial prejudices not only in his team of personal assistants but also in his country, using the unlikely sport of rugby to make progress. The movie sets an inspiring example of achieving social harmony by dismantling apartheid through a spot of out-of-box thinking.

When it comes to progress on the social front, several movies have touched upon the issues of corruption, regressive attitudes and sexual exploitation.

 

Jaane Bhi Do Yaaron (1983) and Well Done Abba (2009) addressed the issue of corruption with dollops of humour.

 

 

Toilet – Ek Prem Katha (2017) and Padman (2018) championed the cause of hygiene.

 

 

Gulaab Gang (2014) spoke of various ills plaguing the Indian society.

 

 

Mardaani (2014) and Lakshmi (2014) were both hard-hitting but highlighted the challenges one faces while battling human trafficking and child prostitution.

Movies which focus on social attitudes are often preachy and negative. But these serve a useful purpose by telling us where we are going wrong, thereby hampering our own progress.

Courage

The hero who shows courage by bashing up a bunch of goons to save the honour of his beloved on the silver screen gets lauded enthusiastically by a cheering audience. But here we shall touch upon the courage which manifests in many other ways, mostly utilized to achieve a higher goal in life.

Pyaasa (1957) depicted the courage of a poet Vijay (Guru Dutt) to denounce a corrupt and materialistic world. Unable to tolerate the hypocrisy in the society, he decides to start a new life with Gulabo (Waheeda Rehman), the woman in his life.

 

Lakshya (2004) takes us on an inner journey of a happy go lucky but aimless Karan Shergill (Hrithik Roshan) who joins the army during the Kargil conflict between India and Pakistan. Death of a close friend leads him to discover his aim – that of capturing Point 5179, a strategic mountain peak on the border by ascending a 1000 feet high rocky vertical cliff.

 

A Wednesday (2008) shows the extent to which a common man (Naseeruddin Shah) can go to meticulously avenge all the terrorist attacks some people had helped carry out in Mumbai and other major cities of India, specifically the 2006 Mumbai train bombings.

 

Life of Pi (2012) shows the kind of courage it takes to survive and do well in life. The search for an identity becomes a voyage extraordinaire. The movie has a touch of sentimental spirituality.  Pi survives his great adventure of crossing an ocean in the company of an adult Bengal tiger!

 

Neerja (2016) is a tribute to Neerja Bhanot (played by Sonam Kapoor) who laid down her life while protecting passengers on a hijacked Pan Am flight 73. The film ends with a tribute to Neerja, who was eventually honoured posthumously with the Ashoka Chakra, India’s highest military decoration awarded for peacetime valor, courageous action or self-sacrifice.

Goodness

When we overcome our greed and our prejudices, and when we learn to radiate love and display concern and empathy, we practice goodness.

Parakh (1960) was about an award from an anonymous donor of Rupees 5,00,000 to any resident of a particular village who will use it for the benefit of the entire village. Villagers decide to use democratic methods and favour an election where the winner gets the money. Each candidate tries to woo the villagers by being sympathetic and by becoming a cheerful giver to all by offering various sops. Goodness, however superficial, prevails. Eventually, the decision comes from the benefactor who lives in the village in disguise. At a deeper level, the movie highlighted the limitations of the concept of democracy.

 

Satyakam (1969) introduced us to Satyapriya (Dharmendra) who tries to live a truthful, honest and good life. Even in great adversity he doesn’t let go of his ideals. A fatal illness leads to his death and the grandfather (Ashok Kumar) who had sworn him to a path of righteousness realizes that even though he has spent his whole life studying religious scriptures and philosophical books as well as practising many rituals, he still had much to learn about the nature of truth. He overcomes his moral prejudices and vows to take care of his daughter-in-law (Sharmila Tagore) and the grand kid.

 

Raincoat (2004), based on O. Henry’s short story ‘The Gift of the Magi’, brings together two ex-lovers Mannu (Ajay Devgun) and Neeru (Aishwarya Rai). The former is unemployed and has limited means. The latter is now a housewife leading a frugal life. Each boasts to the other about their successful life but realize the hollowness of the other’s claims. Mannu ends up paying Neeru’s overdue rent for many months whereas she slips in two of her gold bangles into the pocket of a raincoat he has borrowed from her.

 

Patch Adams (1998) was all about the importance of laughter, empathy and concern for patients who are often treated in a soulless and mechanical manner in the medical world. The hero’s conviction of his own approach never waivers, except when his companion dies in unfortunate circumstances. But he soon recovers and reverts to his practice of goodness, dedicating his work to her memory.

Generosity

Many of us have occasionally had a helping hand from someone who went out of the way to offer support when it was badly needed. Those who are kind, empathic and compassionate could be said to be of a generous disposition. Somehow, life always gifts them with generous bonuses – whether financial or in terms of a cult status.

 

Schindler’s List (1993) portrayed the efforts of Oskar Schindler, a German industrialist, who saves the lives of more than a thousand Polish-Jewish people from the Holocaust. When World War II is declared to be over, the workers give Schindler a signed statement attesting to his role in saving Jewish lives and present him with a ring engraved with a Talmudic quotation: “Whoever saves one life saves the world entire.” Schindler is touched but also ashamed, as he feels he should have done even more. In a scene which is deeply touching, he breaks down sobbing, and is comforted by the workers.

 

 

Erin Brockovich (2000) was all about a legal clerk motivating a group of sufferers to stand up against a large company and get suitable compensation awarded by a court of law. Her identification with the cause and her perseverance – both are worth emulating. She does not expect any personal benefit in return, though she does get suitably rewarded for her services at the end of the movie.

The generosity showcased in these movies is neither feigned nor artificial. Both are based on actual incidents, restoring our faith in the innate goodness in people.

(This series of posts is dedicated to Ms Usha Bhatia, my late wife. Inputs from Mr Sanjay Mohan and Ms Gargi Banerjee are gratefully acknowledged)

(Related Posts:

https://ashokbhatia.wordpress.com/2020/08/13/some-movies-with-a-dash-of-spirituality-part-1-of-4

https://ashokbhatia.wordpress.com/2020/08/16/some-movies-with-a-dash-of-spirituality-part-2-of-4

https://ashokbhatia.wordpress.com/2020/08/24/some-movies-with-a-dash-of-spirituality-part-4-of-4)

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Some movies with a dash of Spirituality (Part 2 of 4)

Background

In this series, we consider some movies through the spiritual lens of 12 personality traits mentioned by The Mother of Sri Aurobindo Ashram at Pondicherry in India.

Part 1 had covered the traits of Sincerity and Humility.  In this post, we consider movies which touch upon such traits as Gratitude, Perseverance, Aspiration and Receptivity.

 

Gratitude

In the pre-independence era prior to 1947, we had self-sacrificing doctors who rendered their services in alien lands, serving the people affected by war and plague. Old timers may remember Dr. Kotnis Ki Amar Kahani (1946), which was based on the true life-story of Dr. Dwarakanath Kotnis who was sent to China during World War II. Dr. Kotnis had helped the people of China during the Japanese invasion. His selfless service makes us remember people like him with profound gratitude. He had married and settled down there itself but had eventually died of plague.

Our hearts get filled with gratitude when we think of either the Corona Warriors or the soldiers who guard our borders.

 

Jaagte Raho (1956) takes us through a night in the life of a poor peasant (Raj Kapoor) who enters a multi-storied building in Mumbai looking for some water to drink. After witnessing the shady deals of the high and mighty of the society, he is shocked but is not able to find water. Eventually, he finds a young lady (Nargis) watering the plants in a temple nearby who helps him to quench his thirst. The look of gratitude on his face says it all.

Saving Private Ryan (1998) is based on the profound sense of gratitude an army feels towards its soldiers and their families. It is set against the backdrop of World War II and the Normandy Invasion. General George Marshall learns that three of the four sons of the Ryan family have got killed in action and that the only remaining son, James Francis Ryan, is with the 101^st Airborne Division somewhere in Normandy. Inspired by Abraham Lincoln’s Bixby letter, he orders Ryan to be brought home and to be reunited with his mother.

 

Perseverance

Many of us have a bulldog-like quality in us; of not giving up on the goals that we desire to achieve in our lives. Irrespective of the kind of difficulties we face and the obstacles we come across, we keep working on a particular project till the objective is met. If we have made a sincere promise to someone, we go out of our way to fulfill it.

 

The Shawshank Redemption (1994) is one of the several movies which showcase the indomitable spirit of human beings. A prison life replete with all its obnoxiousness does not dim the flame of hope inside. If a tunnel takes 19 years to build, so be it. Life has to be lived, not thrown away just because odds happen to be stacked against us. A promise made needs to be fulfilled.

 

Almost all the sport-themed movies focus on this quality. Think of Lagan (2001), Iqbal (2005), Bhaag Milkha Bhaag (2013), Mary Kom (2014), Dangal (2016) and M S Dhoni: The Untold Story (2016).

 

Then there are movies of individual resolve which uplift your spirits by highlighting the kind of travails the characters go through to achieve what they want; Rocket Singh: Salesman of the Year (2009), Nil Battey Sannata (2015) and Secret Superstar (2017), to name a few.

Erin Brockovich (2000) is another good example of this personality trait. We shall return to it soon enough.

 

Aspiration

Rolling stones gather no moss, as the wise men say. Life is but another name for the inner motivation we have when we aspire for higher things. The aim could be a basket of materialistic desires or a wide spectrum of spiritual progress. When we aspire for it, perseverance propels us towards our chosen goal.

 

Sujata (1959) was about an untouchable girl (Nutan) brought up by an upper caste couple. It is only when a young man (Sunil Dutt) walks into her life that she awakens to her aspiration to lead a normal life.

 

In Swades (2004) we get to meet Mohan Bhargava (Shah Rukh Khan), a NASA scientist who wants to return to his roots in India, with an aspiration to solve the problems of local villagers using modern technology.

 

Aaja Nachle (2007) had a gutsy US-based choreographer Radha (Madhuri Dixit) desirous of saving Ajanta, an old open air theatre planned to be demolished to make way for a shopping mall in her home town in India. The difficulties faced by her in keeping an old cultural tradition alive in the face of strong forces of so-called modernization formed the crux of the script.

 

Despite outward signs of success, many of us feel lost, confused and searching for what we really want in our lives. Elizabeth Gilbert (Julia Roberts) shows us a way out of this misery in Eat, Pray and Love (2010). She steps out of her comfort zone and embarks on a journey of self-discovery. She cherishes nourishment for the body in Italy and for the soul in India. Finally, and unexpectedly, she finds the inner peace and balance of true love in Indonesia.

 

In Udaan (2010), we meet a 17-year old youngster who wants to be free of the overriding discipline of his father at home. How he overcomes his low self-esteem and picks up the courage to aspire for a life free of humiliation and abuse is the central theme.

 

Hindi Medium (2017) showcases the aspirations of a young couple to ensure that their son willy-nilly gets admitted to a good English medium school. The movie ends on a positive note and captures the potential of refurbished public schools which could give a healthy competition to so called elite schools. It was based on a successful experiment conducted by the Delhi government in its public schools a few years back.

 

Sui Dhaaga (2018) introduces us to Mauji (Varun Dhawan) and his wife Mamta (Anushka Sharma) who, when humiliated and cheated by the company where they work as tailors, become entrepreneurs and make their venture a success despite severe odds.

In all these cases, the settings and the aspirations are quite different. But the central message is clear – that we need to work hard to realize our dreams.

 

Receptivity

This is a unique quality of those with an open mind, capable of receiving and taking in knowledge and new ideas and then acting upon the same, if necessary and prudent.

 

Take the character of Uma (Sharmila Tagore) in Anupama (1966). She is extremely shy, diffident and introverted. She has been brought up by a father who blames her for the death of his wife during childbirth. She falls in love with Ashok (Dharmendra) who is disliked by her father. A close friend of hers gives her a dressing down and awakens her to the possibility of a happier life in Ashok’s company. She picks up the courage to stand up to her father, obtains his hesitant consent and joins her beloved.

 

Taare Zameen Par (2007), based on the challenges faced by a young boy suffering from dyslexia, brings in the character of Ram Shankar Nikumbh (Amir Khan), a cheerful and optimistic art instructor. After meeting the boy’s parents, the perceptive teacher is able to diagnose the illness from which Ishaan (Darsheel Safary) suffers. He also finds the boy’s hidden talent for art and takes him under his wings, enabling him to start living a near-normal life.

 

Avatar (2009) happens to be a movie which pitches for sustainability and care for environment. Set in 2154 AD, it calls upon all of us to be receptive to the fragility of nature and limited resources of our planet. One of the unique concepts brought up by the script is that of the sacred Tree of Souls.

In a way, such movies exhort us to be receptive to changes happening all around us and revising our basic priorities in life. Perhaps the Covid virus is also nudging all of us in the same direction.

 

(This series of posts is dedicated to Ms Usha Bhatia, my late wife. Inputs from Mr Sanjay Mohan and Ms Gargi Banerjee are gratefully acknowledged)

 

(Related Post: https://ashokbhatia.wordpress.com/2020/08/13/some-movies-with-a-dash-of-spirituality-part-1-of-4

https://ashokbhatia.wordpress.com/2020/08/20/some-movies-with-a-dash-of-spirituality-part-3-of-4

https://ashokbhatia.wordpress.com/2020/08/24/some-movies-with-a-dash-of-spirituality-part-4-of-4)

 

 

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Some movies with a dash of Spirituality (Part 1 of 4)

Summary

These days, as a pandemic stalks us, people are hooked to movies of all kinds, even while supposedly working from home. The cumulative effect of using high-definition gadgets, lockdown ennui, death tolls and binge-watching movies is that of a higher level of stress. The lack of freedom to venture out on long drives further compounds the problem. 

To avoid landing up in a loony bin, we could cut off our daily diet of depressing news. We could ensure interacting only with those who radiate positive vibes. We could also think of consciously changing our movie-watching palette so as to start appreciating flicks which have a deeper layer in their themes.

In this series, we consider some movies through the spiritual lens of 12 personality traits mentioned by The Mother of Sri Aurobindo Ashram at Pondicherry in India.

Introduction

When the upright good guy defeats the morally deficient bad guy, we cheer. Think of the James Bond franchise, courtesy Hollywood.

When a movie ends on a positive note, we applaud. Imagine any movie from Bollywood where the hero and the heroine finally walk into the sunset on a sandy beach, with a romantic song playing in the background. The unstated assumption is that the couple lived happily ever after.

When the outcome is negative but the movie is well crafted, we may sulk but still carry a favourable impression of it. Go back to either Titanic or Mughal-e-Azam. Both were tragedies but mounted lavishly, with excellence in almost all the departments of film making.

But once in a while comes along a movie which touches us somewhere deep inside. The script may carry a key message. Or, it may showcase certain values which we cherish ourselves, thereby creating a deep resonance within. We experience love. We feel hopeful and uplifted in a somewhat deeper manner. The soul gets awakened.

If we were to muse upon the theme much afterwards, we could say that such movies had been conceptualized with a dash of spirituality. These are movies which inspire us to live through and face difficult situations in our lives. We could think of classifying these in the genre of what we could refer to as Conscious (or Soulful) Entertainment.

Of a Spiritual Streak

Think of such movies as Shawshank Redemption, Avatar, Contact, Gladiator, Schindler’s List, The Sound of Music, Lagaan, Jagte Raho, Swades, Guide, Abhimaan, Mr. and Mrs. Iyer, Veer Zara and many others of a similar ilk. What do all these have in common? Yes, most of these are big hits. Yes, they have A category stars. Yes, all are well made. But these are not their most important features.

When we go back to the first time we watched one of these, most of us would recall having felt uplifted and hopeful. We would have felt compassion and love for the entire humanity. Our hearts would have felt much enlarged. Much like the short sequence from Mera Naam Joker where the hero’s heart goes on expanding and no one has a clue as to how to solve the problem!

We would have felt like living much longer, drinking deep from the rivulets of unalloyed joy that life offers. These films are but a few in the genre of ‘Conscious’ or ‘Soulful’ films which have the potential to change lives, inspire choices, and elevate human consciousness.

One of the spiritual lenses available to us to view such movies has been offered to us by The Mother of Sri Aurobindo Ashram at Pondicherry in India. She has mentioned the following twelve traits which are essential for the spiritual progress of an aspirant:

Sincerity, Humility, Gratitude, Perseverance, Aspiration, Receptivity, Progress, Courage, Goodness, Generosity, Equality and Peace.

Some movies which touch upon Mother’s 12 traits

 

Sincerity

The sincerity with which an individual takes up a challenging task and executes it well, even while risking his or her own welfare,  generates a swell of positive emotions within the viewer and sets an example of achieving perfection in the discharge of one’s professional duties.

Do Aankhen Baarah Haath (1957) which captured the valiant efforts of a jail warden Adinath (V Shantaram) to rehabilitate six dangerous prisoners released on parole to persons of virtue in an open jail experiment. Besides demonstrating how concentration, perseverance and hard work can make one realize one’s goals in life, the movie also drives home the point that if people focus their energy on a worthy cause in a sincere manner, success is easy to come by.

Maria (Julie Andrews) who is a free-spirited person lacking in self-discipline and self-confidence assumes the role of a governess for the seven children of Captain Georg von Trapp (Christopher Plummer) and ends up winning the hearts of the entire family in The Sound of Music (1965).

In Khamoshi (1970), we meet nurse Radha (Waheeda Rehman) who loses her own mental balance by being so sincere in discharging her duties as a professional as to neglect her own emotions of love towards two of her successive patients, Dev Kumar (Dharmendra) and Arun Choudury (Rajesh Khanna). A key lesson underlying the storyline is that of cultivating a sense of detachment in one’s profession, as highlighted in the Bhagavad Gita as well.

Think of Debaraj Sahai (Amitabh Bachchan) mentoring Michelle (Rani Mukherji) in Black (2005). The movie was inspired by The Miracle Worker (1962).

Humility

Here is a quality which covers such personality traits as purity, charity and obedience.

Gladiator (2000) captures the saga of General Maximus Decimus Meridius (Russel Crowe) who is devoted to Emperor Marcus Aurelius and works throughout his life to keep the Roman Empire safe. When offered the throne, he declines the offer, preferring instead to return to his village. Before he dies, he asks for political reforms, for his gladiator allies to be freed, and for Senator Gracchus to be reinstated. Maximus’s friends and allies honor him as “a soldier of Rome”. His character represents not only the purity of his intentions and loyalty to the empire, but also humility.

When denizens of planet Earth soar into space, they have this humbling experience of realizing how infinitesimal Homo sapiens happen to be in the overall scheme of a vast universe. We may be rooted in our prejudices and may be overly busy, what with our ego-skirmishes with others over petty matters and a relentless chase of the materialistic goals in our lives; yet, we are merely a fraction of a speck in the divine arrangement.

Watching movies like Apollo 13 (1995), Gravity (2013), and many others leaves us humbled in more ways than one.  

(This series of posts is dedicated to Ms Usha Bhatia, my late wife. Inputs from Mr Sanjay Mohan and Ms Gargi Banerjee are gratefully acknowledged)

(Related Post:

https://ashokbhatia.wordpress.com/2020/08/16/some-movies-with-a-dash-of-spirituality-part-2-of-4

https://ashokbhatia.wordpress.com/2020/08/20/some-movies-with-a-dash-of-spirituality-part-3-of-4

https://ashokbhatia.wordpress.com/2020/08/24/some-movies-with-a-dash-of-spirituality-part-4-of-4)

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Corona virus and the Principle of Peaceful Coexistence

 

Never did Bertie imagine seeing such a mess in his life,

Eagerly waiting for Drones to reopen so loneliness gets over;

Target practicing with darts is a skill which is getting rusted,

Bingo Little has time to sit together but cannot come over.

 

Back-slapping, hugging and shaking hands is a strict no-no,

Chatting over phone alone sounds a safer proposition;

Telegraph services to-and-fro nephews no longer work,

Aunts use video calls, trying to change their matrimonial disposition.

 

Roads are virtually free but a drive to Brighton is ruled out,

Peggy receives from Miss Tomlinson online grace;

Kid Clementina is missing the fun of putting sherbet in ink pots,

Prudence Baxter awaits her next egg and spoon race.

 

Aunt Dahlia is unable to invite nephews and nieces for meals,

Though Anatole is ready and willing to offer many a lavish spread;

Uncle Tom is delighted at Milady’s Boudoir being in a limbo,

Amidst lockdowns losing his silver collection he does not dread.

 

Friends like Gussie Fink Nottle have ample time to study newts,

Madeline has bouts of insomnia and looks at stars all night long;

Roderick Spode is busy launching on a new Eulalie line with masks,

While Cora Bollinger practices a rappy version of Sonny Boy song.

 

 

Sir Roderick Glossop is frightfully busy attending to loony coves,

Dr Murgatroyd has a long list of patients with red spots;

Dr Sally is immune to proposals over WhatsApp while on duty,

Doctor Hailsham takes a pound a day off you with his vegan shots.

 

Lord Emsworth freely potters about in his gardens,

With Parva School Treat Day off, peace and relaxation he elicits;

The Empress in the pink of health, savouring her 57,800 calories,

Freddie peddling online some immunity-boosting Dog Joy biscuits.

 

Aline Peters has money but is looking for ways to spend it,

Joan Valentine has no money and would do anything to be paid;

Ashe Marson does Larsen exercises on the roof top these days,

He and Joan avoid kissing on the lawns, saddening a scullery maid.

 

Life is like a drink which they all keep drinking deeply from,

A cup in which the beetle of a virus floats with all its variations;

Or, gorging on a green salad on top of which rests a caterpillar,

Demanding an apology from anyone trying to disturb its meditations!

 

They appear to be adjusting quickly to their travails,

In Plumsville, the Principle of Peaceful Coexistence prevails;

All this may sound ironic but wisdom is in being positive,

And, when it comes to Coronavirus, testing negative!

 

(Illustrations courtesy Kevin Cornell)

 

(Related Posts:

https://ashokbhatia.wordpress.com/2020/04/11/who-ropes-in-doctors-and-paramedics-from-plumsville-to-counter-corona-virus-part-1-of-2

https://ashokbhatia.wordpress.com/2020/06/20/of-lockdowns-p-g-wodehouse-and-the-milk-of-human-kindness

https://ashokbhatia.wordpress.com/2020/07/25/the-corona-gladiators-proposal-for-a-plummy-movie)

 

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Black is also Beautiful!

ashokbhatia

Nina Davaluri, a dark beauty of Indian origin, recently got crowned as Miss America. She ended up eliciting a backlash of xenophobic and racist comments. Yet again, this brought to the fore our predisposition to judge people by the color of their skins.

We tend to forget that the pigmentation of our skins is a work of nature. To be able to judge people better, we have to look a little deeper. Their character, their attitudes and the qualities of head and heart are some of the attributes which define the real person behind the veneer of skin which could be of any hue or grain. Irrespective of the color of the skin, those who have true talent and a pure soul continue to outshine all around them in a very natural manner.

In marketing parlance, we live in times when the packaging appears to be more important than the…

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A Plummy wish for a bride-to-be

ashokbhatia

As you prepare yourself for a married life,

Full of love, happiness, joy and domestic bliss;

Here is an utterly butterly Plummy wish

Which you would do well not to miss.

 

Unlike Pauline Stoker, may you never ask your Bingo Little

To swim a mile before breakfast;  

And then playing five sets of tennis post-lunch,

Leaving the hapless guy shaken and aghast.

 

Like Honoria Glossop, may you never be prone to

Slapping the backs of guests with all your might;

Nudging the sterner sex to perform goofy deeds

With no consideration of their own plight.

 

May you never be like Florence Craye,

Trying to mould him into an intellectual cove;

Instead, groom him in washing dishes and changing nappies,

Shaping up a rebel lion into a docile dove.

 

Unlike Stiffy Byng, may you never prompt him

To pinch the helmet of a constable;

Landing him…

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