When it comes to delivering bad news gently, Bertie Wooster is good. His technique involves an adequate amount of foreplay and inane conversation, followed by the news which is likely to leave the other person all-of-a-twitter.
However, when the situation demands, he can also be tough on the errant person, putting him or her in place. Mind you, he does not offend. He merely follows the Code of the Woosters and plays firm and steady. He does so till the time the object of his derision wilts and relents.
He asserts himself. Much like the ancient Roman gladiators, he also chooses to be aggressive at times, whereupon his agility and nippiness knows no bounds. If he is sarcastic, his nonchalant manner rules supreme. It is another matter that his brand of subtle sarcasm is often lost on a hard-boiled party of the other part.
Here are some instances from ‘The Code of the Woosters’ which demonstrate Bertie’s power to assert himself.
Standing up to Gussie’s Amorous Plans
Gussie’s notebook containing juicy remarks on Pop Bassett and Rederick Spode continues to be in Stiffy’s possession. Gussie comes up with a fruity scheme to retrieve the notebook from her.
‘Well, listen. You could easily engage her in a sort of friendly romp, if you know what I mean, in the course of which it would be simple to…well, something in the nature of a jocular embrace…’
I checked him sharply. There are limits, and we Woosters recognize them.
‘Gussie, are you suggesting that I prod Stiffy’s legs?’
‘Yes.’
‘Well, I’m not going to.’
‘Why not?’
‘We need not delve into my reasons’, I said, stiffly. ‘Suffice it that the shot is not on the board.’
He gave me a look, a kind of wide-eyed, reproachful look, such as a dying newt might have given him, if he had forgotten to change its water regularly.
Unfortunately, Gussie proceeds with his plans. This prompts Madeline Bassett to scratch their engagement, thereby putting both Gussie and Bertie in a limbo.
Restraining Aunt Dahlia
Saying no to a loving aunt like Dahlia is no mean task. But Bertie is able to stand up to her machinations by placing a pitiless analysis of the situation at hand. Dahlia wants Bertie to pinch the cow-creamer from Pop Bassett’s silver collection. Thanks to the magic of ‘Eulalie’, the obstacle faced from Spode has been neutralized. However, Gussie’s note book with juicy comments about Pop Bassett and Spode continues to be in Stiffy’s possession.
This is how Bertie places his case before his aunt.
‘My dear old faulty reasoner, you miss the gist by a mile. As long as Stiffy retains that book, it cannot be shown to Madeline Bassett. And only by showing it to Madeline Bassett can Gussie prove to her that his motive in pinching Stiffy’s legs was not what she supposed. And only by proving to her that his motive was not what she supposed can he square himself and effect reconciliation. And only if he squares himself and effects reconciliation can I avoid the distasteful necessity of having to marry this bally Bassett myself. No, I repeat. Before doing anything else, I have got to have that book.’
Aunt Dahlia appreciates the logic and eventually ends up pinching the cow-creamer herself!
Reining in a Hippopotamus
By way of self-defense, Gussie Fink-Nottle has just hit Roderick Spode with an oil painting. Unfortunately, rather than using the picture sideways, Gussie has used the flat side of the weapon. This leaves Spode blinking, with the painting around his neck like a ruff. Bertie seizes the opportunity thus:
Give us a lead, make it quite clear to us that the party has warmed up and that from now on anything goes, and we Woosters do not hang back. There was a sheet lying on the bed…and to snatch this up and envelop Spode in it was with me the work of a moment.
Once the ‘Eulalie’ secret has been discovered, Bertie can afford to put Spode in his place firmly. When he finds Spode banging on the door of Gussie’s room, hoping to break his neck, Bertie loses no time in taming him. Note the polished manner in which he does it.
‘What do you mean by disturbing the house with this abominable uproar? Have you forgotten already what I told you about checking this disposition of yours to run amok like a raging hippopotamus? I should have thought that after what I said you would have spent the remainder of the evening curled up with a good book. But no. I find you renewing your efforts to assault and batter my friends. I must warn you, Spode, that my patience is not inexhaustible.’
Eventually, Spode disappears from the scene, leaving Gussie in the safe company of Bertie.
Putting a bite on Pop Bassett
Pop Bassett, having accused Bertie of stealing his cow-creamer and also pinching Constable Oates’ helmet, has had to eat humble pie. Bertie has a solid alibi as far as the cow-creamer is concerned. Jeeves has managed affairs in such a way as to persuade Spode to confess having stolen the helmet, thereby exonerating Bertie. However, when it comes to uniting two pairs of lovers, namely Madeline and Gussie and Stiffy and Stinker Pinker, Pop Bassett continues to play a spoil sport. But Jeeves has a solution – put a bite on him!
Accordingly, Bertie proceeds to threaten Pop Bassett thus:
‘There is something you wish to say to me, Mr Wooster?’
‘There are about a dozen of things I wish to say to you, Bassett, but the one we will touch on at the moment is this. Are you aware that your headstrong conduct in sticking police officers on to pinch me and locking me in my room has laid you open to an action for – what was it, Jeeves?’
‘Wrongful arrest and defamation of character before witnesses, sir.’
‘That’s the baby. I could soak you for millions. What are you going to do about it?’
Bertie then proceeds to get an OK on both the unions, makes Pop agree on keeping quiet upon discovering that the cow-creamer has popped up in Uncle Tom’s collection and even manages to secure his five quids back – the fine he had to pay in his formal encounter with Pop Bassett much earlier.
Jeeves and the Stiff Upper Lip
Bertie often runs counter to the tastes and wishes of Jeeves. However, when Jeeves has extricated him from a tricky situation, he has the good grace and flexibility to accept defeat and fall in line.
In ‘The Code of the Woosters’, the bone of contention is a Round-The-World cruise. Jeeves is rather keen on it. Bertie is not.
‘Jeeves,’ I said, ’this nuisance must now cease.’
‘Travel is highly educational, sir.’
‘I can’t do with any more education. I was full up years ago. No, Jeeves, I know what’s the matter with you. That old Viking strain of yours has come out again. You yearn for the tang of the salt breezes. You see yourself walking the deck in a yachting cap. Possibly someone has been telling you about the Dancing Girls of Bali. I understand, and I sympathize. But not for me. I refuse to be decanted into any blasted ocean-going liner and lugged off round the world.’
‘Very good, sir.’
However, by the end of the narrative, Totleigh Towers has ceased to disturb Bertie’s peace of mind. The love lives of Gussie-Madeline and Stinker Pinker-Stiffy are progressing smoothly. Uncle Tom has received his cow-creamer back. Anatole continues to be in service at Brinkley Court. Bertie has just escaped being bunged into a chokey without the option for a month. Constable Oates is still on duty, prowling about below the window of his room, braving violent rain.
All this is thanks to Jeeves’ ingenuity. When it comes to being pretty hot in an emergency, Bertie rates him higher than Napoleon. Bertie relents.
‘Perhaps that cruise won’t be so very foul, after all?’
‘Most gentlemen find them enjoyable, sir.’
‘Do they?’
‘Yes, sir. Seeing new faces.’
‘That’s true. I hadn’t thought of that. The faces will be new, won’t they? Thousands and thousands of people, but no Stiffy.’
‘Exactly, sir.’
‘You had better get the tickets tomorrow.’
‘I have already procured them, sir. Good night, sir.’
Many of us can learn the art of saying a ‘no’ from Bertie. He does so without causing an offence. He is firm and polite. He knows how to be assertive. He also knows when to give in and be flexible.
Moreover, he has a unique way of expressing his disagreement and registering a protest. He wins over the situation by using his analytical skills, building up and supporting his case using impeccable logic and pitiless analysis. When backed with a legally sound argument, he can even put a bite on someone like Pop Bassett to bring some sunshine into the lives of his pals, aunts and uncles!
(Part 2: Decodifying the Code of the Woosters)
(Related Post: https://ashokbhatia.wordpress.com/2014/10/20/bertie-wooster-and-the-art-of-breaking-bad-news-gently)
A marvellous continuation of your series. You have a lovely way of framing these Wodehouse pieces of your (I especially liked the ‘reining in a Hippopotamus’). I’m keen to share this series at Plumtopia if you don’t mind.
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That would be a privilege, Honoria. I must caution you, though. This series may comprise four more posts, spread over a month or so!
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This is merely to ensure you do not miss this one in the rush of things!
https://ashokbhatia.wordpress.com/2014/10/30/of-bertie-goofy-females-and-the-wooster-clan
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This is brilliant Ashok! I love the way you analyse things, with such wit and clarity! Looking forward to the next one.
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Thanks for the invigorating comment. Pleasure would be mine.
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I enjoy your analyses too. I love the use of the word “decanted” above – in another book Bertie refers to someone “decanting” a baby into a perambulator. So much fun to read.
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Thanks, Maria.
Yes, there are similar catch phrases all through Plum’s works. Like, Jeeves often ‘shimmers’ or ‘glides’ in. Tissue restoratives always go ‘down the hatch’! What an evocative use of language!!
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Yes, his turns of phrase often make one laugh out loud.
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Oh, would that my comrades were so agreeable:
“Bertie often runs counter to the tastes and wishes of Jeeves. However, when Jeeves has extricated him from a tricky situation, he has the good grace and flexibility to accept defeat and fall in line.”
Ashok, a delight, to receive a dose of Plum in my mail. Please keep it up.
Mike
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Much obliged to be of some service, Mike!
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You have captured some of the juiciest bits . There’s so much food for thought to chew n bite into almost a six course meal 😃
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Thanks, Ragini!
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Reblogged this on ashokbhatia.
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The ticking off of Spode is a classic when taking Bertie’s temporary memory loss into account. Plum’s treatment of the whole episode is masterly.
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Yes. True. I find the Baxter-falling-down-the-stairs episode in Something Fresh (besides many others elsewhere) equally juicy.
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